
Expertise Sold Here.
Somewhere along the lines, musicians have been brainwashed. I don’t mean they are now covert operatives activated by a special chord progression, but I do mean that a lot musicians today are not comfortable making money with their music. Some even have concerns playing their music so as not to impose their creativity upon others. Let’s take a look at three mindsets that could hold you back from making money with your music.
It’s Not Evil
Making money isn’t evil. Whether your a farmer, a plumber, an architect, a pilot, or a school teacher, having an income in exchange for an expertise is what this world is built upon.
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Having excellent sounding drums played by an excellent drummer is the foundation that almost every piece band aspires to today. Being able to put ourselves in a position to create that kind of situation can be expensive, sometimes to the tune of tens of thousands of dollars for studio and session costs. With Reason Drum Kits and Propellerhead’s Record, however, excellent drums in your tunes are within reach. Enjoy this video as we take a look at how to turn your Reason Drum Kits into a full on session drummer.
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Next in this series we will take a look at Propellerhead’s audio program, Record. Let’s start by asking some of the questions we have covered in the earlier parts of this series.
Does it Record Audio?
Record does record audio, allowing an unlimited number of audio tracks with a bit rate up to 24-bit/192 kHz (more on bit rate later).
Does it Have Timing Correction?
Record does not have timing correction. Of all the exciting upcoming features Propellerhead has in store for Reason 5 and Record 1.5, timing correction is not one.
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Complex mixing and layering of effects can lead to a nice fat sound when filling the stereo field with lush sound design. Propellerhead’s Record is a powerful duo when combined with the infinite capabilities of Reason’s effects routing within a combinator. In this video we take a look at how to build an effects combinator so complex, that layering and mixing effects is only the beginning. We also see how to go about combining those layers to include using a vocoder as a send effect. The possibilities are endless and we hope to spark some creativity in you. Enjoy.
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The Thinker?
Everyone has a way they approach songwriting, pre-production, album artwork, etc. The creative process is how we go from idea or spark of genius to a first draft or even finished product. Everyone approaches it differently, even if we some have similarities, our individual personalities and experiences make the creative process unique to each of us. Guidelines or ideas are very helpful to some of us who have trouble getting started. I give a few pointers in my free e-book “6 Steps to Creating Your Next Album”. Here are what other artists have to say about approaching the creative process.
Chris Brown
I usually use a “Groove-based” approach. I start with a basic rhythm/drum track, fit a tight bassline over the top of it, then build the rest of the instrumentation and arrangement over and around that
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